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Biographical Data
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Date of Birth:
10.05.1946 in Salzburg
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Nationality
Austria
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Biography:
Klaus Ager was born in Salzburg in 1946. He studied music at the Mozarteum and at the University of Salzburg, as well as at the Conservatoire National et Superieur in Paris under Olivier Messiaen and Pierre Schaeffer.
From 1975 - 1986 Ager was the artistic director of the Austrian Ensemble for Contemporary Music and gave numerous concerts in Austria and abroad. Since 1977 he has been artistic director of the Salzburg festival "Aspekte". In 1954 he founded the "Aspekte new music ensemble", touring in Europe and overseas (Italy, Latvia, Brazil and Austria). He then went on to work as assistant for music theory at the former University of Music and the Performing Arts "Mozarteum" from 1973 - 1979; as professor for composition at the conservatory in Bregenz, Vorarlberg, from 1978 -1986; and, from 1986 on, as professor for music analytics at the Mozarteum. There, Ager was appointed deputy university principal from 1991 - 1995, before taking over as principal from 1995 - 2000. Since 2004 he has been holding the post as president of the Austrian Composers' Association.
Over the past few years, his activities as guest composer and lecturer at various North and South American universities, as well as at institutions in China, Taiwan and Japan, increased. As a composer, he is particularly known for his chamber and orchestra music, as well as electronic and computer music. Ager performed at the most important festivals for contemporary music worldwide.
Numerous works are available on records or CDs (Hoshi for wind quintet; Atacama for solo guitar solo; Alinkonie for various sound generators; wind um ein grab; CLB512; sondern die sterne sinds; Gesang zur Nacht; serenade for piano and orchestra; La regle du jeu etc.)
Klaus Ager, 03.2006
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Activities:
- 1970 - 1971 Salzburg Festival, Salzburg: accompanist
- 1973 Radio France, Paris: cooperation
- 1973 - 1979 University Mozarteum Salzburg, Salzburg: assistant at the Institute for Music Theory
- 1974 Austrian Broadcasting Corporation ORF/Studio Salzburg, Salzburg: freelancer
- 1975 Austrian Ensemble for Contemporary Music: ÖENM: founder
- 1975 - 1986 Austrian Ensemble for Contemporary Music: ÖENM: director
- 1977 Aspekte Salzburg, Salzburg: president, artistic director
- since 1979 University Mozarteum Salzburg, Salzburg: head of the Institute for Music Analysis
- 1981 - 1986 Konservatorium Bregenz, Bregenz: professorship (composition)
- 1981 - 1994 European Conference of New Music Promoters: president
- since 1986 University Mozarteum Salzburg, Salzburg: professor for music analytics
- 1991 - 1995 University Mozarteum Salzburg, Salzburg: deputy principal
- 1994 Aspekte New Music Ensemble: founder
- since 1995 University Mozarteum Salzburg, Salzburg: principal
- 1995 - 2000 University Mozarteum Salzburg, Salzburg: principal
- since 2004 Austrian Composers' Association, Vienna: president
- 2006
- Universities, North and South America: guest composer, lecturer
- Edition 7, Salzburg: self-publishing association, together with other composers from Salzburg (Herbert Grassl etc.): organisation
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Education, Instrument(s) |
Education:
- 1967 - 1970 University Mozarteum Salzburg, Salzburg: composition
- 1967 - 1970 University of Salzburg, Salzburg: musicology
- 1967 - 1970 University Mozarteum Salzburg, Salzburg: violin
- 1967 - 1971 University Mozarteum Salzburg, Salzburg: conducting
- 1967 - 1971 University Mozarteum Salzburg, Salzburg: piano
- 1971 - 1973 Conservatoire National et Superieur, Paris: electro-acoustic music (Pierre Schaeffer)
- 1971 - 1973 Conservatoire National et Superieur, Paris: composition (Olivier Messiaen)
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Intrument(s):
piano, violin
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Performances, Commissions, Awards
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Performances:
- West German Broadcasting Corporation - WDR
- Musikprotokoll im Steirischen Herbst
- Aspekte Salzburg
- Austrian Broadcasting Corporation
- ISCM/IGNM/SICM - International Society for Contemporary Music: ISCM music festival
- Festivals of contemporary music: Stockholm, Paris, Utrecht, Cologne, New York, Barcelona, Toronto, Bratislava, Stuttgart, Amsterdam and many more
- Radio France, Paris
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Commissions:
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- Office of the Government of Salzburg
- Zygmunt Krauze:
- City of Toronto
- Government of Thailand
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Awards:
- 1975 Office of the Government of Salzburg: promotional scholarship
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Description of Style |
The works up to op. 12 (until about 1975) are characterised by the attempt to find out about the tonal potential of instruments or even of new technologies, something particularly reflected in "silences VI" for Harp and "silences VII" arranged for piano for four hands.
After these somewhat experimental pieces up to "sondern die sterne sinds" I tried to make music, which can be best defined as "incoherent process design". It is about composing chronologically simultaneous processes of different coherency levels, which still remain linearly compact. This lead to very sophisticated compositions reaching their climax in "la regle du jeu" and "a lost shimmer of sunlight I".
Starting with the duets and MaMuMis I dealt intensively with the problems of automatic composition (partly with the help of computers) analyzing above-mentioned technique and gradually arrived at a composing technique which tried to express music in linguistic semantics. This is best seen in the orchestra piece "Fades the light from the sea", where pitch and tone length have, for the most part, been automatically composed with the help of computer software, but also where almost semantically understandable musical processes were created by incorporating the musically familiar. This process was continued more consequently in the chamber music of the mid-1980s: In "Gesang zur Nacht" or "Shigöpotuu" a series of elements which can quasi be understood semantically can be found. In "Gesang zur Nacht" echoes of known 19th and 20th century works are recognizable, contributing their specific meaning to the piece.
The serenade op. 60 for piano and orchestra heralded a new stage in my creative work, following a completely new path, which could be described as symbiosis of "incoherent process design" with the developments of the 1980s. Techniques of variation, independency of individual voices, but also calculating the course characterise the works of this period, the highlights of which certainly are the cantata "Friede!" or "HanLiu-Ker" for bass clarinet.
Klaus Ager
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Compositions |
- CHLOE - für fünfstimmigen Chor a-capella
opus 92, 2007, approx. 06:00 min Instrumentation: choir - CHLOE - für Horn und Streichtrio
opus 91, 2007, approx. 13:00 min Instrumentation: chamber-music - BRECCIA IV - für Flöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug
opus 90, 2007, approx. 14:00 min Instrumentation: chamber-orchestra - ... wie die Zeit vergeht - für Bassklarinette allein
opus 89, 2007, approx. 05:00 min Instrumentation: solo - Breccia - für Flöte, Violoncello und Klavier
opus 80/4, 2007, approx. 12:00 min Instrumentation: chamber-music, trio - CAMCHATKA
opus 88, 2006, approx. 10:00 min Instrumentation: solo - 4 Stücke für vier Hörner
opus 87, 2006, approx. 06:00 min Instrumentation: chamber-music, quartet - Pebbles - für Sopran, Altsaxophon, Violoncello und Klavier
opus 86, 2006, approx. 07:00 min Instrumentation: instrumental, vocal - B'MOA GDA - für Flöte, Viola, Akkordeon, Hackbrett, Zither und 2 Harfen
opus 85, 2005, approx. 15:00 min Instrumentation: chamber-music, septet - GENOHÉ - für Klavier vierhändig
opus 84, 2005, approx. 15:00 min Instrumentation: solo - Breccia - für Klaviertrio (Violine, Violoncello und Klavier)
opus 80.3, 2004, approx. 12:00 min Instrumentation: chamber-music, trio - Breccia - für Klarinette in B, Violine und Klavier
opus 80.2, 2004, approx. 12:00 min Instrumentation: chamber-music, trio - seventy nine - für 79 Saxophone
opus 83, 2004, approx. 25:00 min Instrumentation: brass-music - Canon: Duino III - Gesualdo - für 5-stimmigen Chor
opus 82, 2004, approx. 07:00 min Instrumentation: quintet - Drei kleine Klavierstücke - für Klavier allein
opus 81, 2004, approx. 05:00 min Instrumentation: solo - Breccia - für Flöte, Violine und Klavier
opus 80.1, 2003, approx. 12:00 min Instrumentation: chamber-music, trio - Friede! - für Sopran, Mezzosopran, Bassklarinette und Orchester
opus 33.4, 2002, approx. 15:00 min Instrumentation: orchestra, solo, duet - Wege nach Bergland - für Klavier
opus 79, 2002, approx. 10:00 min Instrumentation: solo - Négade - für Flöte, Klarinette und Kontrabass
opus 78, 2002, approx. 12:00 min Instrumentation: chamber-music, trio - HANLIU-KER - für Bassklarinette allein
opus 77, 2002, approx. 10:00 min Instrumentation: solo - CANONS - für Sopran, Klarinette und Bassklarinette bzw. Sopran und Cembalo
opus 76, 2002 - 2003, approx. 05:00 min Instrumentation: chamber-music, solo-voice, duo - Die zweite Elegie - für Flöte (Altflöte und Große Flöte), Sprecher und Tonband
opus 74.2, 2001, approx. 09:00 min Instrumentation: solo-voice, solo, - Die zweite Elegie - für Flöte (Altflöte und Große Flöte) allein
opus 74.1, 2001, approx. 09:00 min Instrumentation: solo - ÄGHEON - für Cembalo allein
opus 75, 2001, approx. 11:00 min Instrumentation: solo - Duino II - für Sopran, Klavier, Violoncello und Schlagzeug
opus 73, 2001 - 2003, approx. 15:00 min Instrumentation: chamber-music, trio, solo-voice - Reflexionen über KHAGJA - für Baßklarinette und Schlagwerk
opus 72, 2001, approx. 12:00 min Instrumentation: chamber-music, duo - Duino I - für Sopran, Violine und Violoncello
opus 71, 1999, approx. 11:00 min Instrumentation: chamber-music, duo, solo-voice - Intermezzi zu MODOS V - für Klavier und Schlagwerk
opus 70, 1999, approx. 14:00 min Instrumentation: chamber-music, duo - MODOS IV - für Flöte, 2 Violinen, Viola, Violoncello und Kontrabass
opus 49.2, 1998, approx. 18:00 min Instrumentation: chamber-music, sextet - George Lieder - für Sopran und Streichquartett
opus 69, 1998, approx. 15:00 min Instrumentation: chamber-music, quartet, solo-voice - MODOS IIIa - für Flöte, Klarinette, Violine, Violoncello und Klavier
opus 68.2, 1996, approx. 15:00 min Instrumentation: chamber-music, quintet - MODOS III - für Musik für 7 Bläser
opus 68.1, 1995, approx. 15:00 min Instrumentation: chamber-music, brass-music, septet - Moarré - für Akkordeon und Vibraphon
opus 66, 1993, Instrumentation: chamber-music, duo - Modos I - für Baß-Flöte und Bassetthorn
opus 65, 1992, approx. 10:00 min Instrumentation: chamber-music, duo - Khagja - für Flöte und Schlagwerk
opus 64, 1992, approx. 12:00 min Instrumentation: chamber-music, duo - Sinfonie für Bläser und Schlagwerk
opus 63, 1991 and 1992, approx. 14:00 min Instrumentation: instrumental - KEATS - für Sopran, Klarinette, Violine, Violoncello und Klavier
opus 62, 1991 and 1992, approx. 15:00 min Instrumentation: chamber-music, quartet, solo-voice - Bibyké - für Tonband
opus 61, 1991, approx. 14:00 min Instrumentation: , - Serenade - für Klavier und Orchester
opus 60.2, 1990, approx. 20:00 min Instrumentation: orchestra, solo - Serenade - für Hammerklavier und Kammerorchester
opus 60.1, 1990, approx. 20:00 min Instrumentation: chamber-orchestra, solo - Sole Shadow Shows - für Kontrabass und Tonband
opus 57.2, 1990, approx. 14:00 min Instrumentation: solo, - Sole Shadow Shows - für Kontrabass und Schlagzeug
opus 57.1, 1990, approx. 14:00 min Instrumentation: chamber-music, duo - Resonanzen - für Orgel
opus 59, 1990, approx. 10:00 min Instrumentation: solo - Migrations - für 2 Gitarren
opus 58, 1990, approx. 18:00 min Instrumentation: chamber-music, duo - Notizen - für Fagott und Klavier
opus 55, 1990, approx. 10:00 min Instrumentation: chamber-music, duo - Goldne Stille des Herbstes - für Streichtrio
opus 56, 1989, approx. 15:00 min Instrumentation: chamber-music, trio - Saxomanie - für Sopransaxophon und Schlagzeug
opus 54, 1989, approx. 14:00 min Instrumentation: chamber-music, duo - In the fair fine night - für Schlagzeug solo
opus 53, 1989, approx. 12:00 min Instrumentation: solo - THoBrum - für Tuba solo
opus 52, 1989, approx. 08:00 min Instrumentation: brass-music, solo - Lieder der Umkehr - für Saxophonquartett, Schlagzeug und Sprecher
opus 51.2, 1988, approx. 12:00 min Instrumentation: chamber-music, quintet, solo-voice - Shigöpotuu - für Saxophonquartett
opus 51.1, 1988, approx. 10:00 min Instrumentation: chamber-music, brass-music, quartet - dem schweigenden Antlitz der Nacht - für Sopran, Flöte, Gitarre und Schlagwerk
opus 44.2, 1988 - 1996 and 1986, approx. 20:00 min Instrumentation: chamber-music, trio, solo-voice - Immer klingen die weißen Mauern der Stadt - für Tonband
opus 48, 1988, approx. 12:00 min Instrumentation: , - horn sounds - für Horn (2. Horn ad libitum) und Klavier
opus 47, 1988, approx. 10:00 min Instrumentation: chamber-music, duo - An die Stille (Psalm) - für Oboe, Violine, Viola und Violoncello
opus 49.1, 1987, approx. 13:00 min Instrumentation: chamber-music, quartet - Hölderlin Fragmente - für Oboe und computergeneriertes Tonband
opus 50, 1987 and 1989, approx. 11:00 min Instrumentation: solo, electronic - Kohärenz-Inkohärenz III - für Flöte solo
opus 46, 1987, approx. 07:00 min Instrumentation: solo - Blätter - für Klavier solo
opus 45, 1987 and 1989, approx. 16:00 min Instrumentation: solo - dem schweigenden Antlitz der Nacht - für Altstimme, Flöte, Gitarre und Schlagwerk
opus 44.1, 1986 and 1988, Instrumentation: chamber-music, trio, solo-voice - Gesang zur Nacht - für Sopran, Flöte, Klarinette, Violine, Violoncello und Klavier
opus 43, 1985, approx. 25:00 min Instrumentation: quintet, solo-voice - Atacama/ in die abende geneigt - für Gitarre solo
opus 41, 1985, approx. 11:00 min Instrumentation: solo - Konzert für Baßklarinette und Orchester
opus 40, 1984 and 1990, approx. 25:00 min Instrumentation: orchestra, solo - Sonata - für Violoncello solo
opus 42, 1983 - 1989, approx. 20:00 min Instrumentation: solo - CLB512 - für Klarinette und computergeneriertes Tonband
opus 39, 1983, approx. 12:00 min Instrumentation: solo, - sounds in the evening haze - für Klavier solo
opus 38, 1983, approx. 10:00 min Instrumentation: solo - wind um ein grab - für Sopran, Flöte, Gitarre und Schlagzeug
opus 37, 1983, approx. 15:00 min Instrumentation: chamber-music, trio, solo-voice - Konzert für Klavier, Bläser und Schlagzeug
opus 36, 1983, approx. 20:00 min Instrumentation: orchestra, solo - Fades the light from the sea - Lamento für Orchester
opus 33.3, 1981, approx. 12:00 min Instrumentation: orchestra - Lamento - für Streichorchester
opus 33.2, 1981, approx. 12:00 min Instrumentation: orchestra - ORC17 - für computergeneriertes Tonband
opus 33.1, 1981, approx. 09:00 min Instrumentation: , - Threnophone - für Orgel und Schlagzeug
opus 35, 1981, approx. 12:00 min Instrumentation: chamber-music, duo - Tristan for Lucinda - für Tonband
opus 34, 1981, approx. 10:00 min Instrumentation: solo, - MaMuMis - für Violine und Klavier
opus 32, 1981 - 1984, approx. 12:00 min Instrumentation: chamber-music, duo - Duette für 2 Violinen
opus 31, 1980, approx. 10:00 min Instrumentation: chamber-music, duo - Kohärenz-Inkohärenz II - für Chor und Kammerorchester
opus 30, 1980, approx. 17:00 min Instrumentation: chamber-orchestra, choir - Kohärenz-Inkohärenz I - für 3 Baßklarinetten oder Baßklarinette und Tonband
opus 29, 1980, approx. 12:00 min Instrumentation: chamber-music, brass-music, trio - a lost shimmer of sunlight II - für Kammerensemble
opus 27, 1979 and 1980, approx. 14:00 min Instrumentation: chamber-orchestra - le soleil des espoirs perdus - für Flöte, Klarinette, Klavier und Violoncello
opus 25, 1979, approx. 10:00 min Instrumentation: chamber-music, quartet - Agnus Dei - für 2 Sprecher und Kammerensemble
opus 67, 1978 and 1994, approx. 35:00 min Instrumentation: chamber-music, duet, - la regle du jeu - für Sopran, Flöte, Klarinette, Violine, Violoncello und Klavier
opus 28, 1978, approx. 15:00 min Instrumentation: chamber-music, quintet, solo-voice - a lost shimmer of sunlight I - für Flöte, Klarinette, Violine und Violoncello
opus 26, 1978, approx. 10:00 min Instrumentation: chamber-music, quartet - ALINKONIE I - für fünf Spieler
opus 23, 1978, approx. 08:00 min Instrumentation: quintet - ALINKONIE II - für Tonband
opus 24, 1977 and 1984, approx. 12:00 min Instrumentation: , - Metaboles IV - für Streichquartett
opus 21, 1977, approx. 08:00 min Instrumentation: chamber-music, quartet - Streichquartett I
opus 21, 1977, approx. 08:00 min Instrumentation: chamber-music, quartet - KARAMAHE - für Violoncello solo
opus 20, 1977, approx. 03:00 min Instrumentation: solo - Metaboles II - für Klarinette, Saxophon, Klavier, Violine und Gitarre
opus 19, 1976, approx. 12:00 min Instrumentation: chamber-music, quintet - silences XV - für Oboe solo
opus 18, 1976, approx. 12:00 min Instrumentation: solo - Metaboles I - für Klarinette, Klavier, Violine und Violoncello
opus 17, 1976, approx. 10:00 min Instrumentation: chamber-music, quartet - I remember a bird - für Klarinette, Posaune, Gitarre, Schlagzeug, Klavier und Tonband
opus 16, 1976, approx. 14:00 min Instrumentation: chamber-music, quartet, - l'arbre de la tristesse - für Tonband
opus 15, 1976, approx. 09:00 min Instrumentation: solo, - Poemes - für Tonband
opus 14, 1976, approx. 28:00 min Instrumentation: , - BETA break towards infinity - für gemischten Chor und diverse Klangerzeuger
opus 22, 1975, approx. 12:00 min Instrumentation: instrumental, choir - HOSHI - für Bläserquintett und Tonband
opus 13, 1974 and 1975, approx. 20:00 min Instrumentation: brass-music, , chamber-music, quintet - sondern die sterne sinds - für Tonband
opus 12, 1974 and 1976, approx. 19:00 min Instrumentation: solo, - silences XI - für Klarinette, Verstärkersystem und Tonband
opus 11, 1974, approx. 15:00 min Instrumentation: solo, - silences X - erstens abendmusik - für Sopran und Ensemble
opus 10, 1974, approx. 15:00 min Instrumentation: chamber-orchestra, solo-voice - Reflexions für Orchester
opus 2.2, 1973 and 1976, approx. 12:00 min Instrumentation: orchestra - Reflexions für Kammerorchester
opus 2.1, 1973, approx. 12:00 min Instrumentation: chamber-orchestra - elf und ... - für 11 Schauspieler
opus 9, 1973, approx. 40:00 min Instrumentation: vocal - silences VII - für Klavier zu 4 Händen und Verstärkung
opus 6, 1973, approx. 08:00 min Instrumentation: solo, electronic - silences VI - für Harfe
opus 5, 1973, approx. 07:00 min Instrumentation: solo - es esta la muerte - für Klarinette, Posaune, Schlagzeug, Klavier, Violine und Tonband
opus 8.2, 1972 and 1976, approx. 20:00 min Instrumentation: chamber-music, quintet, - es esta la muerte - für Klarinette, Violine, Kontrabass, Schlagzeug und Tonband
opus 8.1, 1972, approx. 20:00 min Instrumentation: chamber-music, quartet, - silences VIII - für Tonband
opus 7, 1972, approx. 15:00 min Instrumentation: solo, - silences V - für Tonband
opus 4, 1972, approx. 10:00 min Instrumentation: , - spirale silencieuse - für Tonband
opus 3, 1971, approx. 11:00 min Instrumentation: , - Partita pour violon seul
opus 1, 1971 - 1972, approx. 08:00 min Instrumentation: solo
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