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Biographical Data
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Date of Birth:
15.03.1959 in Schwanenstadt
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Biography:
Until 1994, Ablinger's compositional focus was on soloist chamber music instrumentation up to 25 instruments, such as "Der Regen, das Glas, das Lachen" and basically summed up his works. While his pieces unfolded in several parallel work cycles in the following years - working with instruments and electro-acoustic (often in cooperation with programmers and studios, such as the IEM Graz etc.), or the work complex "Weiss/Weisslich", which includes instrumentals, installations, objects, recordings, hints and prose, are characteristic -, he has been creating four-part series pieces (e.g.: "Voices and Piano"), or networks with multiple elements combining various musical genres, Topoi, instrumentations, such as a hint and an instrumental or an installation, an electronic and orchestra piece (e.g.: "Altar" or the city opera "opera/Werke"), since 2001.
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Activities:
- 1982 - 1990 Musikschule Kreuzberg, Berlin: teacher
- 1988 Zwischentöne, Berlin: founder of the ensemble
- 1990 - 1992 Klangwerkstatt, Berlin: co-founder and festival director
- 1993 University for Music and the Performing Arts Graz, Graz: guest lecturer
- 1996 Zeit Geben 1-3: festival organisation
- 1996 Institute 17 - Electronic Music and Acoustics/University of Music and Dramatic Arts Graz, Graz: guest composer
- 1997 Insel Musik, Berlin: festival director
- 1999 University of Music and Performing Arts Vienna, Vienna: guest lecturer during the Vienna days of contemporary piano music
- 2001 Musik für Orte, Berlin: organisation of the concert series of the ensemble Zwischentöne
- 2001 Zeitvertrieb, Vienna: co-founder of the publishing company
- 2002 Institute 17 - Electronic Music and Acoustics/University of Music and Dramatic Arts Graz, Graz: guest composer
- 2003 Akademie der Künste, Berlin: co-curator of the festival Conceptualismus
- 2005 Turning Sounds, Warsaw: curator
- Organisation of the concert series "Musik für Orte 1-3" and "Für Christian, Nader und Pauline"
- Klangforum Wien, Ensemble der Inselmusik Berlin, etc.: guest conductor
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Education, Instrument(s) |
Education:
- 1974 - 1976 HTL Linz, Linz: graphic arts
- 1977 - 1979 University for Music and the Performing Arts Graz, Graz: jazz piano, piano
- 1979 Graz: private lessons in composition (Gösta Neuwirth)
- 1979 - 1980 University of Music and Performing Arts Vienna, Vienna: music theory (Erich Urbanner)
- 1980 - 1983 University of Music and Performing Arts Vienna, Vienna: composition (Roman Haubenstock-Ramati)
- piano lessons since the age of six
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Performances, Commissions, Awards
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Performances:
- 26.08.1994 - 28.08.1994 Neue Musik Rümlingen: "Weiss/Weisslich 6, 7 und 8"
- 19.10.1994 Steirischer Herbst: "Der Regen, das Glas, das Lachen"
- 18.10.1997 Donaueschinger Musiktage: "Instrumente und Elektroakustisch Ortsbezogene Verdichtung"
- 22.10.2000 Donaueschinger Musiktage "Quadraturen V: Musik für Orchester"
- 12.12.2001 Los Angeles, Santa Monica Museum of the Arts "California Score"
- 20.11.2002 Teatro Colón, Buenos Aires: "Ohne Titel"
- 22.11.2003 Huddersfield Contemporary Music Festival "Voices and Piano"
- 2004 Vienna Konzerthaus: "3 Minuten für Orchester"
- 26.05.2004 - 5.09.2004 Ostseebienale/Wismar "3 Easy Pieces"
- 6.04.2005 - 9.04.2005 Happy Days Oslo: "3 Orte Oslo", "Schaufensterstück", etc.
- 1.10.2005 - 23.10.2005 several venues as part of the concept "Stadtoper Graz"
- 2008 Wien Modern
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Commissions:
- Steirischer Herbst
- Klangforum Wien
- Senate Berlin
- Denkmalschmiede Höfgen-Kaditzsch
- Contemporary Music Rümlingen
- South German Broadcasting Corporation
- etc.
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Awards:
- 1991 Office of the Government of Upper Austria: talent sponsorship
- 1992 Berlin Senate: scholarship
- 1994 Berlin Senat: scholarship
- 1996 Heinrich Strobel Foundation of the South German Broadcasting Corporation: scholarship
- 1998 Akademie der Künste Berlin: promotional award
- 2001 Villa Aurora: scholarship
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Press Reviews |
20031021: There was no lack of resentment and rejection, when the Austrian [...] performed his "Komplementäre Studie" for cello and noise. It has never been so clear than at this weekend that we do not know what we mean when we talk about music these days. Tageszeitung Berlin (Björn Gottstein).
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20010209: A giant universe, hardly comprehensible in its sense, opens up in front of the recipient so that his ears cannot be open wide enough in order to perceive all the layers simultaneously. Wiener Zeitung (Alfred Pranzl)
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19971100: - and we cannot be sure: is it real or is this impression in our ears, created in our heads. A lasting experience. NMZ (Reinhard Schulz)
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19971022: The complexity of listening: this was also the subject in some sort of philosophical sound exercise [...] and his exciting piece "IEAOV", a study, a test arrangement of sounds [...] - the most interesting piece of this year's Donaueschinger Musiktage? Some thought so. Süddeutsche Zeitung (Wolfgang Schreiber)
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Compositions |
- SINGDROSSEL
2010, 17:00 min Instrumentation: chamber-music, trio - STARS & STRIPES
2010, 15:00 min Instrumentation: chamber-music, octet - "KAMMERSYMPHONIE"
2009, 20:00 min Instrumentation: chamber-orchestra - DEUS CANTANDO (God, Singing)
2009, 01:43 min Instrumentation: solo, electronic - SELBSTPORTRAIT MIT MITTERSILL
2009, 09:00 min
- 18 ULRICHSBERGER / TÄNZE
2008, 43:00 min Instrumentation: chamber-orchestra - AMTSSEE BEI REGEN
2008, approx. 15:00 min Instrumentation: instrumental, vocal - PALASTMUSIK FÜR INFRASCHALL UND ULTRASCHALL
2008 and 2009, Instrumentation: electronic - DAS FEST
2007 - 2009, 01:01:00 hour Instrumentation: orchestra, - ECHTZEIT - aus "Instruments &" für separiertes Cello und Delay
2007, 01:00:00 hour Instrumentation: solo - GEHÖRGANG - eine architektonische, schallabsorbierende Intervention
2007 - LANDSCHAFTSOPER ULRICHSBERG
2007 - 2009 - REGENSTÜCK - aus 'Instruments &' für Ensemble, Wasser, Membrane
2007, 17:00 min Instrumentation: chamber-orchestra - 16 STÜCKE - aus 'Instruments &' für Instrumente und Stimmen
2006 - 2007, approx. 12:00 min Instrumentation: chamber-music, trio, vocal - A LETTER FROM SCHOENBERG - reading piece for ministers for player piano and an audience reading the text while hearing the piece
2006, 01:49 min Instrumentation: vocal, electronic - AUDIOANALYSE / DIE AUFLÖSUNG / FREUD IN ENGLAND / LE GRAINS DE LA VOIX - für computer-gesteuertes Klavier und Videotext
2006, approx. 04:00 min Instrumentation: electronic - KEIN KONZERT - aus "Instruments &" für Flöte, Klavier, Schlagzeug, Sprecher, Mikrofon, Lautsprecher, Objekte, Abwesendes, Imaginäres
2006, approx. 18:00 min Instrumentation: chamber-music, electronic - REGENSTÜCK - aus 'Instruments&' für Flöte, Klavier, Schlagzeug, Wasser, Membrane
2006, approx. 12:00 min Instrumentation: chamber-music - 11 Intermezzi - für Orchester und CD
2005, 15:00 min Instrumentation: orchestra, - 3 Lugares - Buenos Aires
2005 - 3 Orte - Oslo
2005 - A + O
2005 and 2009, 03:00 min Instrumentation: solo, - Listening Piece in 2 Parts
2005 - FALLSTUDIE - 1-Personen-Kino für Video und Stille
2004 - 2008, 02:00 min Instrumentation: electronic - From inside out - für Schaufenster Mikrofon und Lautsprecher
2004 and 2006, Instrumentation: electronic - Quadraturen IIIc - Fidelito La Revolución y las Mujeres
2004 - 2008, k.A. Instrumentation: solo, electronic - Two Strings and Noise - Violine, Violoncello, Lautsprecher
2004, 00:30 min Instrumentation: duo - 6 Linien - für Klavier
2003, 06:00 min Instrumentation: solo - Fläche, Punkt, Musik - nach Rolf Julius "Schwarz, Gelb, für Ensemble"
2003, 24:30 min Instrumentation: chamber-music, solo-voice - Orchester und Rauschen
2003 - 2006, 18:00 min Instrumentation: orchestra, electronic - WEISSE WÄSCHE - Weiss/Weisslich ohne Nummer - Wäschestangen, Wäscheleine, Leintücher
2003 - 2008 - 1-127 - E-Gitarre und CD
2002, 01:20:00 hour
- California Score
2001, approx. 25:00 min
- Hotel Deutsches Haus
2001 and 2001 - Instrumente und ElektroAkustisch Ortsbezogene Verdichtung - "2 Stationen"
2001 - Listening Piece in four Parts
2001 - Orte - St. Anna in Zepernick
2001 - Kleine Trommel und UKW-Rauschen - ("Conceptio")
2000, 06:00 min Instrumentation: solo - Stadtoper Graz
2000 - 2005, Instrumentation: orchestra - 4 Türkische Becken
1999 - 2001, Instrumentation: chamber-music, quintet - Orgel und Weltempfänger - "Diaphanie 3"
1999, 10:00 min Instrumentation: solo - Tuba und Rauschen
1999 - 2001, 02:30 min Instrumentation: solo - Weiss/Weisslich 36
1999 - Akkordeon und Rauschen
1998 - 2000, 45:00 min Instrumentation: solo - Instrumente und ElektroAkustisch Ortsbezogene Verdichtung - "Nerz und Campari"
1998 - Quadraturen IV
1998, 18:00 min Instrumentation: orchestra - Voices and Piano
1998 - 2007, Instrumentation: solo, - Weiss/Weisslich 33
1998 - 1999 and 1993 - Weiss/Weisslich 34
1998 - Weiss/Weisslich 35
1998 - Weiss/Weisslich 7b
1998 - Das Buch der Gesänge
1997 and 1999 - Exercitium 1-6 - für Gitarre
1997, 05:00 min Instrumentation: solo - Grundierungen 1-6 - für (gesampelte) 1-Fuß-Orgel
1997, Instrumentation: solo - Instrumente und ElektroAkustisch Ortsbezogene Verdichtung - "14 Stationen"
1997 - 2001, 02:06:00 hour Instrumentation: instrumental - Quadraturen II ("Raum der Erkenntnis/Vertreibung")
1997 - 2002 - Quadraturen V: Musik für Orchester
1997 - 2000, Instrumentation: orchestra - Studien nach der Natur - 10 kleine Stücke für 6 Stimmen
1997 and 2002, approx. 08:00 min Instrumentation: solo-voice - Übersetzungen 1-8
1997 - Weiss/Weisslich 32
1997 - Instrumente und Rauschen - (24 short pieces)
1996, 16:00 min Instrumentation: chamber-music, septet, solo-voice, electronic - Piccolo und Rauschen
1996 and 1997, 02:00 min Instrumentation: solo, - Stühle, Bambus, Sonnenaufgang, Sonnenuntergang
1996 and 1997, Instrumentation: instrumental - Weiss/Weisslich 25
1996 - Weiss/Weisslich 28
1996 - Weiss/Weisslich 30
1996 - Weiss/Weisslich 31 - Membrane Regen
1996 - Instrumente und ElektroAkustisch Ortsbezogene Verdichtung - "Red on Maroon"
1995 - 1999, 15:00 min Instrumentation: instrumental - Instrumente und ElektroAkustisch Ortsbezogene Verdichtung - "für Johann Michael Fischer"
1995 - 1997, approx. 24:00 min Instrumentation: chamber-music, quartet - Instrumente und ElektroAkustisch Ortsbezogene Verdichtung - "homage to the square"
1995 - 1999, 01:10:00 hour Instrumentation: chamber-music, sextet - Instrumente und ElektroAkustisch Ortsbezogene Verdichtung - "das Blaue vom Himmel"
1995 - 1997, 16:00 min Instrumentation: solo-voice - Instrumente und ElektroAkustisch Ortsbezogene Verdichtung - "Läuterung des Eisens"
1995, 32:00 min Instrumentation: chamber-music, trio - Instrumente und ElektroAkustisch Ortsbezogene Verdichtung - "Portraits"
1995 and 1996, 28:00 min Instrumentation: chamber-music, duo - Quadraturen I
1995 - 1997 and 2000 - Violine und Rauschen - Veronica
1995 and 1996, 06:00 min Instrumentation: solo-voice, solo, - Weiss/Weisslich 13
1995 - Weiss/Weisslich 14 - Sitzen und hören
1995 - Weiss/Weisslich 15 - Installation und Hinweis
1995 - Weiss/Weisslich 16
1995, Instrumentation: instrumental - Weiss/Weisslich 19
1995 - Weiss/Weisslich 23
1995 - Weiss/Weisslich 27
1995 and 1998 - Der Regen, das Glas, das Lachen
1994, approx. 20:00 min Instrumentation: orchestra - Weiss/Weisslich 10 - Orte
1994 - Weiss/Weisslich 12
1994, 12:00 min Instrumentation: electronic - Weiss/Weisslich 17 - Instrument und Rauschen
1994 and 1995, approx. 06:00 min
- Weiss/Weisslich 21 - analytische Integration
1994 and 1996, approx. 06:00 min Instrumentation: chamber-orchestra, solo - Weiss/Weisslich 24
1994 - 1998, 16:00 min
- Weiss/Weisslich 7a
1994 - Weiss/Weisslich 8
1994, Instrumentation: instrumental - Ohne Titel/2 Klarinetten 1-6
1993, 23:00 min Instrumentation: duo, chamber-music - Ohne Titel/3 x 3 Instrumentalisten - (Der Mantel des heiligen Jakob)
1993, 21:00 min Instrumentation: chamber-music - Regenstück 1-6/6 (3) Schlagzeuger
1993, 20:00 min Instrumentation: chamber-music - Instrumente und ElektroAkustisch Ortsbezogene Verdichtung - "8 Vitrinen, Pigmentstaub"
1992 - 2000, Instrumentation: instrumental - Ohne Titel/14 Instrumentalisten
1992, 12:00 min Instrumentation: chamber-orchestra - Ohne Titel/3 Klaviere 1-6
1992, 27:00 min Instrumentation: chamber-music, trio - Weiss/Weisslich 18
1992 and 1996, 12:00 min Instrumentation: , - Weiss/Weisslich 20
1992 and 1995, Instrumentation: solo - Weiss/Weisslich 5
1992 - 1994, 43:00 min Instrumentation: chamber-orchestra - Anfangen (: Aufhören)
1991, 22:00 min Instrumentation: solo - Grisailles 1-100
1991 - 1993, 48:00 min Instrumentation: chamber-music, trio - Weisse Litanei
1991, 28:00 min Instrumentation: solo-voice - La Fleur de Terezín/Monolith I und II
1990, 18:00 min Instrumentation: solo - Ohne Titel/3 Flöten I-III - für 3 mensurveränderte Flöten
1990 - 1991, 18:00 min Instrumentation: trio, chamber-music, brass-music - Verkündigung
1990, 20:00 min Instrumentation: chamber-music, trio - Weiss/Weisslich 2
1990, 10:00 min Instrumentation: solo - Weiss/Weisslich 3
1990, 04:00 min Instrumentation: chamber-music - Weiss/Weisslich 4
1990, approx. 06:00 min Instrumentation: chamber-orchestra - Weiss/Weisslich 6
1990 and 1992, 42:00 min Instrumentation: instrumental - Weiss/Weisslich 22
1986 and 1996, 04:00 min Instrumentation: instrumental - Weiss/Weisslich 9 - Wege
1986 - Traktat - für Flöte solo
1984, 15:00 min Instrumentation: solo - Weiss/Weisslich 1
1980, 02:00 min Instrumentation: solo - Quadraturen III ("Wirklichkeit")
- Weiss/Weisslich 11 - Prosa
- Weiss/Weisslich 26
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